Model NO.: OU-MINI-1/2"
Trademark: VPC Pneumatic
Specification: CE, ROHS, SGS
Origin: China
HS Code: 8421399000
Model NO.: OU-MINI-1/2"
Trademark: VPC Pneumatic
Specification: CE, ROHS, SGS
Origin: China
HS Code: 8421399000
Festo Type Filter Regulator Lubricator Air Treatment Unit

Festo Type Filter Regulator Lubricator Air Treatment Unit
Festo Type Filter Regulator Lubricator Air Treatment Unit

Lubricators Series O are supplied with connection sizes G1 / 8 "~ G3 / 4". Used for feeding oil to the actuators: valves, cylinders, air motors, etc., operating at high frequencies with an air pressure of 12 bar. The main advantages of this Series are: increased air flow, high efficiency air spraying at low air flow rates, convenient system control oil consumption, reliable system assembly group, modern .OR-MINI-1/4"OR-MINI-3/8"OR-MIDI-3/8"OR-MIDI-1/2"OR-MIDI-3/4"OR-MIXI-3/4"OR-MIXI-1"OF-MINI-1/4"OF-MINI-3/8"OF-MIDI-3/8"OF-MIDI-1/2"OF-MIDI-3/4"OF-MIXI-3/4"OF-MIXI-1"OL-MINI-1/4"OL-MINI-3/8"OL-MIDI-3/8"OL-MIDI-1/2"OL-MIDI-3/4"OL-MIXI-3/4"OL-MIXI-1"OFR-MINI-1/4"OFR-MINI-3/8"OFR-MIDI-3/8"OFR-MIDI-1/2"OFR-MIDI-3/4"OFR-MIXI-3/4"OFR-MIXI-1"OU-MINI-1/4"OU-MINI-3/8"OUMIDI-3/8"OU-MIDI-1/2"OU-MIDI-3/4"OU-MIXI-3/4"OU-MIXI-1"OUC-MINI-1/4"OUC-MINI-3/8"OUC-MIDI-3/8"OUC-MIDI-1/2"OUC-MIDI-3/4"OUC-MIXI-3/4"OUC-MIXI-1" Festo Type Filter Regulator Lubricator Air Treatment Unit

Festo Type Filter Regulator Lubricator Air Treatment Unit
Festo Type Filter Regulator Lubricator Air Treatment Unit

Lubricators Series O are supplied with connection sizes G1 / 8 "~ G3 / 4". Used for feeding oil to the actuators: valves, cylinders, air motors, etc., operating at high frequencies with an air pressure of 12 bar. The main advantages of this Series are: increased air flow, high efficiency air spraying at low air flow rates, convenient system control oil consumption, reliable system assembly group, modern .OR-MINI-1/4"OR-MINI-3/8"OR-MIDI-3/8"OR-MIDI-1/2"OR-MIDI-3/4"OR-MIXI-3/4"OR-MIXI-1"OF-MINI-1/4"OF-MINI-3/8"OF-MIDI-3/8"OF-MIDI-1/2"OF-MIDI-3/4"OF-MIXI-3/4"OF-MIXI-1"OL-MINI-1/4"OL-MINI-3/8"OL-MIDI-3/8"OL-MIDI-1/2"OL-MIDI-3/4"OL-MIXI-3/4"OL-MIXI-1"OFR-MINI-1/4"OFR-MINI-3/8"OFR-MIDI-3/8"OFR-MIDI-1/2"OFR-MIDI-3/4"OFR-MIXI-3/4"OFR-MIXI-1"OU-MINI-1/4"OU-MINI-3/8"OUMIDI-3/8"OU-MIDI-1/2"OU-MIDI-3/4"OU-MIXI-3/4"OU-MIXI-1"OUC-MINI-1/4"OUC-MINI-3/8"OUC-MIDI-3/8"OUC-MIDI-1/2"OUC-MIDI-3/4"OUC-MIXI-3/4"OUC-MIXI-1"

Matting Agent For Advertising Film

A Matting Agent in the context of an advertising film is typically used to enhance the visual quality of the footage, often for post-production purposes. There are several types of matting agents that can be utilized depending on the specific needs of your project:
1. Green Screen/Blue Screen Matting: This technique involves shooting a scene with a green or blue background (the key color). After filming, this color is removed in post-production, allowing you to replace it with any background of your choice. This is commonly used in VFX and special effects.
2. Color Correcting Filters: These are often used during the filming process to adjust the color balance of the footage. This helps in creating a consistent look across different shots, making the final edit smoother.
3. Digital Effects (DVs): Software tools like Adobe After Effects or Final Cut Pro can be used to add digital elements to your film, such as animations, overlays, text, or to manipulate scenes.
4. Matte Painting: This is a traditional art form where artists paint detailed images onto a blank canvas to simulate environments that don't exist in real life but can be seamlessly integrated into the film. This can include landscapes, futuristic settings, or fantastical scenes.
5. Rotoscoping: This technique involves tracing over live-action footage frame by frame to create animation or to isolate specific movements for further editing or effects application.
6. Keying Techniques: Apart from simple green screen/blue screen, there are more complex keying techniques like Luma Key, Chroma Key, and Color Difference Key which can help in removing backgrounds or isolating subjects for better integration into new scenes.
7. Comp Effects: In a broader sense, compositing (or comp) effects refer to the process of combining multiple layers of footage, graphics, or animations into one seamless scene.
The choice of a 'matting agent' depends largely on the specific requirements of the film, the desired outcome, and the resources available. It's crucial to consider the time, budget, and expertise required for each technique to ensure the best possible result.

Silica For Advertising Film

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